『雕塑头条』“挺立——刘永刚雕塑绘画展”艺术研讨会在李自健美术馆成功举办

　　"Stand Up - Liu Yonggang Sculpture and Painting Exhibition" Art Seminar was successfully held at the Li Zijian Art Museum

　　12月3日，“挺立——刘永刚雕塑绘画展”艺术研讨会在李自健美术馆举行。来自全国各地的艺术评论家、艺术家齐聚一堂，就展览与公共艺术、城市环境等话题进行研讨。

　　On December 3, 2023, the "Stand up - Liu Yonggang Sculpture and Painting Exhibition" art seminar was held at the Li Zijian Art Museum in Changsha, China. Art critics and artists from all over China gathered together to discuss topics such as exhibitions, public art, and urban environment.

参加研讨会专家学者合影

Group photo of experts and scholars attending the seminar

　　中央美术学院教授、博士生导师殷双喜，艺术批评家、独立策展人陈孝信，艺术批评家荣剑，中国美术批评家年会秘书长、湖南师大美术学院教授杨卫，艺术批评家、西方美术史研究学者王端廷，艺术批评家、画家郭晓川，美术批评家、策展人何桂彦，艺术批评家、中国油画学会理事邓平祥参与研讨。中国美术学院博士研究生导师、中国雕塑学会副会长兼秘书长孙振华担任研讨会主持。

　　Yin Shuangxi, a professor and doctoral supervisor at the Central Academy of Fine Arts,?Chen Xiaoxin, an art critic and independent curator,?Rong Jian, an art critic,?Yang Wei, Secretary General of the Annual Conference of Chinese Art Critics and Professor of the School of Fine Arts at Hunan Normal University,?Wang Duanting, an art critic and Western art history researcher,?Guo Xiaochuan, an art critic and painter,?He Guiyan, an art critic and curator, and?Deng Pingxiang, an art critic and director of the Chinese Oil Painting Society, participated in the seminar.?Sun Zhenhua, a doctoral supervisor at the China Academy of Fine Arts and Vice President and Secretary General of the China Sculpture Society, served as the moderator of the seminar.

“挺立——刘永刚雕塑绘画大展”开幕现场

"Stand Up - Liu Yonggang Sculpture and Painting Exhibition" Opening Ceremony

　　今年9月30日，“挺立——刘永刚雕塑绘画大展”在李自健美术馆开展，23座高达6—11米的不锈钢喷彩巨型群雕亮相，“挺立”于天鹅湖四周的公共空间与美术馆展场内外，吸引了许多观众观赏打卡。展览持续至12月10日。

　　On September 30, 2023, the "Stand Up - Liu Yonggang Sculpture and Painting Exhibition" was held at the Li Zijian Art Museum. 23 giant stainless steel spray painted sculptures with a height of 6-11 meters were unveiled, standing up in the public space around Swan Lake and inside and outside the exhibition hall of the art museum, attracting many visitors to watch and check in. The exhibition will continue until December 10, 2023.

“挺立——刘永刚雕塑绘画大展”纪录片

Documentary on "Standing Up - Liu Yonggang's Sculpture and Painting Exhibition"

　　刘永刚，中国当代雕塑艺术研究院研究员、创作部主任。他出生于内蒙古呼伦贝尔盟额尔古纳的左旗根河，曾在中央美院跟随靳尚谊学习多年。他1992年赴德国学习深造，回归祖国后，以文字为媒介，进行艺术创作，广泛涉猎油画、雕塑、水墨、陶艺等门类。他在大胆吸取西方经典艺术的同时，又融入中华民族文化底蕴。他以汉字为原型，运用甲骨文、金文、石鼓文、小篆诸多元素，巧思妙合，最终创造出众多意涵深刻、奇特恢宏的汉字现代巨型雕塑。Liu Yonggang?is a researcher and director of the creative department at the China Contemporary Sculpture Art Research Institute. He was born in Genhe, Left Banner, Erguna, Hulunbuir League, Inner Mongolia, and studied under Jin Shangyi at the Central Academy of Fine Arts for many years. He went to Germany for further studies in 1992. After returning to his homeland, he used writing as a medium for artistic creation and extensively explored various fields such as oil painting, sculpture, ink painting, and pottery. He boldly absorbed Western classic art while also integrating into the cultural heritage of the Chinese nation. He takes Chinese characters as the prototype, uses many elements such as oracle bone script, bronze inscriptions, stone drum script, and small seal script, cleverly combines ideas, and ultimately creates numerous modern giant sculptures of Chinese characters with profound meanings and unique grandeur.

专家学者们在刘永刚巨型钢铁雕塑作品《挺立的汉字·龙凤呈祥》前留影

Experts and scholars take photos in front of Liu Yonggang's giant steel sculpture "Dragon and Phoenix Auspicious"

　　本次展览是对刘永刚艺术创作55年的一次全方位的综合展示，通过不同历史时期和阶段代表性作品的整体呈现，系统详实的理论梳理，力图为观众展现艺术家持续创作的内在驱动力和密切关联的深层线索。

　　This exhibition is a comprehensive display of various works created by Liu Yonggang over the past 55 years. Through the overall presentation of works from different historical periods and stages, and a systematic and detailed theoretical analysis, it showcases to the audience the intrinsic driving force and closely related deep clues of the artist's continuous creation.

刘永刚作品《挺立的汉字·欢喜》 不锈钢喷漆 高550cm

Liu Yonggang's work "Joy" stainless steel spray painting with a height of 550cm

　　研讨会上，李自健表示，刘永刚汉字艺术的灵感来源于中国几千年的汉字文化，其中运用了甲骨文、金文、石鼓文、小篆诸多元素。呈现的展馆及周边环境中的汉字雕塑，虽然我们不能马上识别出字形，但当我们走到作品中间，能看到很多内容、产生很多感悟。比如，大家刚刚久久停留的“德”字雕塑，德行天下，德为先，挺立的至少11个“德”字都包含了中国的道德、文明和精神的深刻寓意。如今分布在土地上的23座汉字雕塑，每座雕塑、每个选址，都是我和艺术家刘永刚两个人用脚丈量的，很开心能在李自健美术馆呈现出刘永刚的这些艺术结晶。我相信，这些挺立的汉字，能够激发我们的文化自信，展现出我们对中华文化的敬仰敬畏。At the seminar,?Li Zijian?stated that Liu Yonggang's inspiration for Chinese character art came from the essence of thousands of years of Chinese character culture, which utilized many elements such as oracle bone script, bronze script, stone drum script, and small seal script. The sculpture works presented in the exhibition hall and surrounding environment, although we cannot recognize the corresponding text, when we walk into the middle of the works, we can perceive a lot of content and generate many associations. For example, the "Moral" sculpture that everyone just praised, "Virtue in the World, Conquering People with Virtue," consists of 11 "Moral" sculpture works, which contain profound meanings of China's morality, civilization, and spirit. The 23 Chinese character sculptures distributed in the venue were personally selected by myself and artist Liu Yonggang for their display positions. I am very happy to present Liu Yonggang's classic works at the Li Zijian Art Museum. I believe that these sculpture works of "Standing Chinese Characters" can inspire the cultural confidence of the Chinese people and showcase the spiritual outlook of Chinese culture.

专家学者们在刘永刚巨型钢铁雕塑作品《挺立的文字——“德”行天下》前留影

Experts and ?scholars?take photos in front of Liu Yonggang's giant steel sculpture " Standing Chinese Characters - Morality"

　　“公共空间里的汉字雕塑作品和美术馆结合得如此的完美，这其实是我一直所想要的作品。”刘永刚感慨。这些艺术作品不仅应该是摆在美术馆的，让大家去欣赏去感受艺术的魅力，更应该是摆在环境当中，让人们可以参与其中，用手触摸感知它的温度。这种温度，或许手摸到的是冰凉，但传递的却是一种火一样的情感。Liu Yonggang?excitedly said, “The perfect combination of displaying Chinese character sculptures in public spaces and art museums is the way I really hope to showcase my works... These artworks should not only be placed inside the art museum, but also in the natural environment, allowing everyone to appreciate and feel the charm of the artworks. Allow people to participate and feel its temperature with their hands. This kind of temperature may feel cold to the touch, but it conveys the artist's fiery emotions.”

刘永刚作品呈现在展馆周围

Liu Yonggang's works are presented around the exhibition hall

　　“刘永刚的艺术作品，是他个人的奋斗和周边大家支持的结果，所以他才能‘站立’‘挺立’”。殷双喜认为，这个展览应该是刘永刚跟李自健共同的作品，是李自健美术馆建设的一个延伸。美术馆多多少少都会有周边空间，它的环境会和美术馆本体互相辉映。此次展览实际上是在美术馆内外开发形成的一个作品，我个人希望通过展览的推动，李自健美术馆能以美术馆的中心周边环境为基础，精选国内外的雕塑，打造出一个美术馆的雕塑公园或是雕塑群，把公共艺术的理念进一步落实放大，把展览办在祖国大地上。Liu Yonggang's artistic works are the result of his personal struggle and the support of everyone around him, which is why he was able to 'stand'.?Yin Shuangxi?believes that this exhibition should be a joint work of Liu Yonggang and Li Zijian, and an extension of the construction of the Li Zijian Art Museum. Art museums often have surrounding spaces, and their environment complements the essence of the museum. This exhibition is actually a work developed both inside and outside the art museum. Personally, I hope that through the promotion of the exhibition, the Li Zijian Art Museum can use the central surrounding environment of the art museum as a basis, select domestic and foreign sculptures, and create a sculpture park or sculpture group for the art museum, further implement and amplify the concept of public art, and hold the exhibition on the land of our motherland.

专家学者们在刘永刚作品《挺立的汉字·归》前留影

Experts and scholars take photos in front of Liu Yonggang's work "Standing Chinese Characters: Returning"

　　郭晓川认为，刘永刚的汉字雕塑作品能找到这么一个理想的陈列展示的地方，能给这么多人带来好的艺术享受，是非常难得的。刘永刚是创造性和创造力都比较强的艺术家，是在不停地创新、突破主题。他的绘画总是在不停地寻找新的闪光点、新的思路。刘永刚善于思考，总是在关注文化和思想上的内容，所以从他作品当中总是能看到一种思想性。Guo Xiaochuan?believes that it is very rare for Liu Yonggang's Chinese character sculpture works to find such an ideal place for display and to bring good artistic enjoyment to so many people. Liu Yonggang is an artist with strong creativity and creativity, constantly innovating and breaking through themes. His paintings are constantly searching for new highlights and ideas. Liu Yonggang is good at thinking and always focuses on cultural and ideological content, so one can always see a kind of ideological nature in his works.

　　“艺术是艺术家人生的总和。一个艺术家的起点构成了他的一个基点，他像一个圆的半径不断地延长，半径越大，见识越广，艺术之树也越茁壮。”王端廷说，刘永刚是一个比较典型的艺术家，出生于内蒙古，求学于中央美院，留学德国多年，他的艺术构成元素丰富。同时，他不断吸纳，不断保持对生活的敏感，不断给他的艺术填充内容。相信刘永刚有才华、有志向，把他的艺术再往前推进一步。"Art is the sum of an artist's life. The starting point of an artist forms one of their starting points. The radius of a circle is constantly extended, and the larger the radius, the broader the knowledge, and the stronger the tree of art."Wang Duanting said that Liu Yonggang is a typical artist, born in Inner Mongolia, studied at the Central Academy of Fine Arts, and studied in Germany for many years. His artistic composition is rich in elements. At the same time, he constantly absorbs and maintains sensitivity to life, constantly filling his art with content. Believe that Liu Yonggang has talent and ambition, and take his art one step further.

刘永刚作品《挺立的汉字·归》 不锈钢喷漆 高340cm

Liu Yonggang's work "Standing Chinese Characters - Returning" stainless steel spray painting with a height of 340cm

　　“在刘永刚这批留德的艺术家身上，我能够看到一种思辨性。”荣剑认为，观看这个展览，可以看到刘永刚在综合艺术上的创作能力。当代艺术的发展中，实际上已经形成了一个强大的惯性，很多年轻人在模仿一些成功的艺术家。这种模仿是艺术发展的“魔鬼”。刘永刚没有被流行的艺术样式观念所束缚，他按照自己的想象和继承下来的文化理解力来创作表达。"In Liu Yonggang's group of artists studying abroad in Germany, I can see a kind of critical thinking."Rongjian believes that watching this exhibition can show Liu Yonggang's creative ability in comprehensive art. In the development of contemporary art, a strong inertia has actually formed, and many young people are imitating some successful artists. This kind of imitation is the "devil" of artistic development. Liu Yonggang was not bound by popular artistic style concepts, and he created and expressed himself according to his own imagination and inherited cultural understanding.

专家学者们参观刘永刚作品，红色作品为《挺立的汉字·孝为先》，白色作品为《挺立的汉字·丹慧》

Experts and scholars visited Liu Yonggang's works. The red work is "Standing Chinese Characters - Filial Piety First", while the white work is?"Standing Chinese Characters - Wisdom"

　　杨卫认为，从架上绘画到雕塑，刘永刚一直在探索艺术的形式和内容的结合，而且做得相对完善。自20世纪90年代以来，中国当代艺术领域逃避甚至否定力量。刘永刚的艺术是反其道而行，他坚持在强调雄性和力量感，“挺立”不仅仅只是一个姿态，而具有很强的精神隐喻性。刘永刚的这些雕塑，漫布在美术馆的周边环境，硬挺的雕塑作品与柔美的江南风景，形成了一硬一软、一张一弛的关系，非常适宜。Yang Wei?believes that from easel painting to sculpture, Liu Yonggang has been exploring the combination of artistic form and content, and has done it relatively well. Since the 1990s, the field of contemporary Chinese art has avoided or even denied the sense of power of men. Liu Yonggang's art goes against the trend, insisting on emphasizing masculinity and a sense of power. "Standing up" is not just a posture, but has a strong spiritual metaphor. These sculptures by Liu Yonggang are scattered around the surrounding environment of the art museum, creating a strong and soft relationship with the soft scenery of Jiangnan, which is very suitable.

刘永刚作品《挺立的汉字·鱼跃》 不锈钢喷漆  高340cm

Liu Yonggang's work "Standing Chinese Characters - Flying Fish" stainless steel spray painting with a height of 340cm

　　“刘永刚的这些挺立的汉字，如塔，如峰，如碑。”陈孝信说，在汉字艺术的现代化当代化转化的景观中，刘永刚挺立的汉字，改变了汉字的二维平面属性，具有了三维空间的属性，成为了名副其实的公共艺术，走向了大众的视野。他增加了汉字的触感和质感，也改变了它的视觉艺术的属性，使汉字可以敞开胸怀、拥抱观众，使汉字变得坚实、厚重、雄壮与刚强。"Liu Yonggang's sculpture works of these Chinese characters are like towers, peaks, and steles."Chen Xiaoxinsaid that in the landscape of modern transformation of Chinese character art, Liu Yonggang's upright Chinese characters have changed the two-dimensional plane attribute of Chinese characters and have the three-dimensional spatial attribute, becoming a well-known public art that has entered the public eye. He increased the touch and texture of Chinese characters, as well as changed their visual artistic attributes, allowing them to open up and embrace the audience, making them solid, heavy, majestic, and strong.

与会专家学者们留影Attending experts and scholars take photos

　　邓平祥认为，中国人崇拜文字，而不太能欣赏视觉艺术，尤其是一些空间式的艺术。刘永刚的雕塑，把中国的文化里对文字的这种崇拜转换成一种空间艺术，很有他的一种态度。

　　Deng Pingxiangbelieves that Chinese people worship writing and do not appreciate visual art, especially spatial art. Liu Yonggang's sculpture transforms the worship of writing in Chinese culture into a form of spatial art, which embodies his attitude.

- 展 览 回 顾 -

- Exhibition Review -

展览前言

范迪安/中国美术家协会主席

　　金秋时节，“挺立——刘永刚雕塑、绘画展”在李自健美术馆以堪称重磅亮相的规模展出，我谨代表中国美术家协会致以热烈祝贺！向刘永刚和李自健两位艺术家怀以的文化理想和澎湃的艺术激情致以由衷的敬意！

　　刘永刚的艺术历程经历了由中而西，又从世界回归本土的探索与创造。作为改革开放时代求学问艺并成长成熟的一代艺术家代表，他的艺术思考始终处于东西方文化碰撞、交融的语境之中。早年在中央美术学院就学期间，他的探索视野主要朝向现代形态的西方艺术，形成了以表现精神际遇和赤诚内心的绘画语言；在前往德国留学之后，他更加直接地研究和借鉴德国表现主义艺术经典以及战后的新表现主义思潮，在作品中注入具有生命关切和文化叩问的沉思，将感性的意绪和挥洒似的绘画手法结合起来，使自己成为一种尊重直觉、直接表露的艺术言说者。但是，随着他对西方艺术了解的深入，他更多思考自身艺术的文化主体性问题，也更多朝向中国传统文化的厚土长河，从中汲取文化的养分和精神的能量。从21世纪开始，他从穿越文化边界的行旅转向立足本土，创立了汉字的立体造型并由此欲罢不能，持续地进行系列化、主题化的雕塑，作品也由小及大，从单一材质到多种媒介，进入各种公共空间，形成独特的艺术景观，醒目地通过象形文字的叠合交融，讲述中国文化的故事。对于刘永刚来说，这个转型是艺术的豹变，也是精神的升华，有着内在的构型逻辑，更接通了传统文化的根脉；有着强烈的符码视象，更彰显出当代文化的意涵。

　　自从刘永刚的“站立的文字”不断问世和展览展示以来，有许多艺术评论给予了高度的评价，我也有同感且原因不外有三。一是在当代艺术信息便捷传播、全球通畅的情势下，艺术的原创性益发不易，需要理性的研究判断和创造性想象思维相交淬炼，才能获得自己的新见与独为。刘永刚的文字图像有汉字瀚海的支撑，而不同文字的组合则成为汉字的新像，在奇异的关联中蕴含有内涵的必然性，构成字形字义同时显现的互文结构，这是他艺术上的独创价值。二是他的作品是以“雕塑”的形态生成的，将平面的汉字转换为立体的汉字，在笔划设计上需要结合当代的视觉经验，在三维体积的构筑上也需要解决实形与空白的美学关系。刘永刚以犹如结构和重构的方式“造”出了新的文字，并且使文字“站”了起来，因此，这是对传统文化资源成功的创造性转换。三是他的作品在与公共空间的关系上形成了新的视觉景观，并且在组词上充分考虑到社会性、文化性意涵，注重寄寓至善理想、美好祈愿和文化正能量，由此引发观众的文化参与感，达到了社会文化心理的共振和精神的共鸣。在这个意义上，刘永刚的作品体现出当代艺术语言言说的时代气象。雄强的艺术抱负使刘永刚的汉字雕塑不断拓展，在单体上具有更多展现中华文化美德的永恒价值，在成群的阵列中凸显出文化的自信。在这次展览中，他的作品从“站立”朝向“挺立”，这是他在艺术意境上的升华，在挺立的中国文字中体现出挺立的中国精神。这次展览也是刘永刚和李自健志同道合、精神默契的产物，他们在艺术创造和传播上都拥有自觉的社会责任感，也对中国艺术在新时代坚定文化自信、坚持守正创新有着清醒的认识，为此投入心力、矢志不悔，在挺立的形象中体现出挺立的时代精神。这是人们在直观中可以感受到的力量。

2023年9月

Exhibition Preface

Fan Dian/Chairman of the Chinese Artists Association

　　In the golden autumn season, the "Stand Up - Liu Yonggang Sculpture and Painting Exhibition" is showcased at the Li Zijian Art Museum with a scale that can be considered a heavyweight. On behalf of the China Artists Association, I would like to extend warm congratulations! Sincere respect to the cultural ideals and surging artistic passion of artists Liu Yonggang and Li Zijian!

　　Liu Yonggang's artistic journey has gone through exploration and creation from the center to the west, and then from the world back to the homeland. As a representative of a generation of artists who studied and matured in the era of reform and opening up, his artistic thinking has always been in the context of cultural collision and integration between the East and the West. During his early years studying at the Central Academy of Fine Arts, his exploration perspective mainly focused on modern Western art, forming a painting language that expresses spiritual experiences and sincere inner feelings; After studying abroad in Germany, he directly studied and drew inspiration from German expressionist art classics and the post-war new expressionist movement. He infused his works with contemplation of life and cultural inquiry, combining emotional emotions with expressive painting techniques, making himself an artistic speaker who respects intuition and directly expresses himself. However, as he delved deeper into his understanding of Western art, he began to think more about the cultural subjectivity of his own art, and also turned more towards the rich soil of traditional Chinese culture, drawing nourishment and spiritual energy from it. From the beginning of the 21st century, he turned from traveling across the cultural border to basing himself on the local, created the three-dimensional shape of Chinese characters, and from this he could not help but continue to carry out series and thematic sculptures. His works also entered various public spaces from small to large, from single materials to multiple media, forming a unique artistic landscape, telling the story of Chinese culture through the overlapping and blending of hieroglyphs. For Liu Yonggang, this transformation is a transformation of art and a sublimation of spirit, with an inherent structural logic that connects the roots of traditional culture; It has a strong symbol visual image, which further highlights the meaning of contemporary culture. Since Liu Yonggang's "Standing Text" has been continuously published and exhibited in exhibitions, many art reviews have given high praise, and I share the same feeling for three reasons. One reason is that in the context of convenient dissemination of contemporary art information and global accessibility, the originality of art is becoming increasingly difficult. It requires rational research and judgment, as well as creative imaginative thinking, to be tempered in order to obtain one's own new ideas and independence. Liu Yonggang's textual images are supported by the vast sea of Chinese characters, and the combination of different characters becomes a new image of Chinese characters, containing the inevitability of connotation in the strange associations, forming an intertextual structure where both characters and meanings are displayed simultaneously. This is his artistic originality. Secondly, his works are generated in the form of sculptures, transforming flat Chinese characters into three-dimensional Chinese characters. In stroke design, contemporary visual experience needs to be combined, and in the construction of three-dimensional volumes, the aesthetic relationship between solid and blank needs to be solved. Liu Yonggang created new characters in a structured and reconstructed way, and made the characters stand up. Therefore, this is a successful creative transformation of traditional cultural resources. Thirdly, his works form a new visual landscape in the relationship with public spaces, and fully consider social and cultural connotations in the composition of words, emphasizing the expression of the ideal of goodness, beautiful wishes, and positive cultural energy. This triggers a sense of cultural participation among the audience, achieving resonance in social and cultural psychology and spiritual resonance. In this sense, Liu Yonggang's works reflect the era of contemporary art language expression. Liu Yonggang's strong artistic aspirations have led to the continuous expansion of his Chinese character sculptures, which have more eternal value in showcasing the virtues of Chinese culture on individual pieces, and highlight cultural confidence in a group array. In this exhibition, his works move from "standing" to "standing", which is a sublimation of his artistic conception and reflects the upright Chinese spirit in the upright Chinese characters. This exhibition is also a product of Liu Yonggang and Li Zijian's shared aspirations and spiritual understanding. They both have a conscious sense of social responsibility in artistic creation and dissemination, and have a clear understanding of Chinese art's firm cultural confidence and adherence to integrity and innovation in the new era. They have invested their efforts and are determined not to regret it, reflecting the standing spirit of the times in their upright images. This is the power that people can feel intuitively.

September 2023

《挺立的汉字——“德”行天下》

李自健美术馆2023

"Standing Chinese Characters -" Morality "" Li Zijian Art Museum, 2023

开幕现场

Opening ceremony

　　著名当代艺术家刘永刚先生在开幕式上致辞Mr. Liu Yonggang, a renowned contemporary artist, delivered a speech at the opening ceremony

　　美术馆创始人、馆长 李自健老师为艺术家 刘永刚先生颁发荣誉聘书Mr. Li Zijian, founder and director of the art museum, presented an honorary appointment letter to artist Mr. Liu Yonggang

　　开幕式圆满结束，领导、嘉宾济济一堂，合影留念The opening ceremony has come to a successful conclusion, with leaders and guests gathered together to take a group photo as a souvenir

二十三座 六米以上 喷彩钢铁“汉字”巨雕

分别挺立于李自健美术馆与美丽的天鹅湖畔

蔚为壮观，撼人心魄！

　　23 giant sculptures of "standing Chinese characters" made of painted steel over 6 meters tallDisplayed at the Li Zijian Art Museum and the Beautiful Swan LakeMagnificent and breathtaking!

《挺立的汉字·中国龙》

不锈钢喷漆 平台广场组雕7件 高550cm/件

"Standing Chinese Characters - Chinese Dragon"

Stainless steel spray painted platform square group carving, 7 pieces, height 550cm/piece

艺术家刘永刚与策展人李自健

在《龙凤呈祥》巨雕前

Artist Liu Yonggang and Curator Li Zijian

In front of the giant sculpture of "Dragon and Phoenix Auspicious"

《挺立的汉字·龙凤呈祥》 耐候钢 高 700cm

"Standing Chinese Characters - Dragon and Phoenix Auspicious" Weather resistant steel with a height of 700cm

一百件刘永刚“挺立”的墨玉石雕

让“心灵空间” 更显神圣、庄严

中华文化的幽深莫测，尽藏其中

100 Liu Yonggang's "Standing Chinese Characters" Ink Jade Sculptures

Make the "spiritual space" more sacred and solemn

The depth and unfathomability of Chinese culture are all hidden within it

“亲水平台”挺立的汉字，视觉惊艳，耐人寻思！

The standing Chinese characters on the "hydrophilic platform" are visually stunning and thought-provoking!

《挺立的汉字·丹慧》 不锈钢喷漆 高550cm

"Standing Chinese Characters - Wisdom" Stainless steel spray painted with a height of 550cm

《挺立的汉字·孝为先》 不锈钢喷漆 高700cm

"Standing Chinese Characters - Filial Piety First" Stainless steel spray painted with a height of 700cm

《挺立的汉字·五福》 不锈钢喷漆 高120cm

"Standing Chinese Characters - Five Blessings" Stainless steel spray painted with a height of 120cm

《挺立的汉字·共升》不锈钢喷漆 高550cm

"Standing Chinese Characters - Together Ascending" Stainless steel spray painted with a height of 550cm

《挺立的汉字·呈祥》 不锈钢  高120cm

"Standing Chinese Characters - Auspicious" Stainless steel with a height of 120cm

《挺立的汉字·归》 不锈钢喷漆 高340cm

"Standing Chinese Characters - Return" Stainless steel spray painting with a height of 340cm

《挺立的汉字·尚美》 不锈钢喷漆 高550cm

"Standing Chinese Characters - Beauty" Stainless steel spray painted with a height of 550cm

《站立的汉字——“德”行天下》 不锈钢喷漆 高1100cm

十一米高的“德”字巨雕

蔚然挺立在李自健美术馆前坪广场

StandingChineseCharacters-"Morality"Stainlesssteelspraypaintedwithaheightof1100cm

An11metertall"moral"giantsculpture

WeiranstandstallonthelawnsquareofLiZijianArtMuseum

《挺立的汉字·茁壮》 不锈钢喷漆 高550cm

"StandingChineseCharacters-Strong"Stainlesssteelspraypaintedwithaheightof550cm

《挺立的汉字·互助》 不锈钢喷漆 高550cm

"StandingChineseCharacters-MutualAid"Stainlesssteelspraypaintingwithaheightof550cm

《挺立的汉字·互爱》 不锈钢喷漆 高550cm

"StandingChineseCharacters-MutualLove"Stainlesssteelspraypaintedwithaheightof550cm

《福塔》 不锈钢 高160cm

TheHappinessPagodaismadeofstainlesssteelwithaheightof160cm

《挺立的汉字·长江》 不锈钢  高46cm

"StandingChineseCharacters-YangtzeRiver"Stainlesssteelwithaheightof46cm

展览现场

Exhibitionsite

“红色”献礼国庆，别具风韵意涵

"Red"asagifttoNationalDay,withuniquecharmandmeaning

刘永刚的展出作品阵容释放出非凡的张力、澎湃的激情LiuYonggang'slineupofexhibitedworksReleaseextraordinarytensionandsurgingpassion

《花卉》系列布面油画135x160cm1992年

Flowerseriescanvasoilpainting135x160cm1992

《墨相》 布面油画270x145cm2006年

"TheImageofInkandwash"Oilpaintingoncanvas270x145cm2006

获奖证书和手稿笔记

Awardcertificatesandmanuscriptnotes

《风帆》 墨玉石  2016年

SailInkJade2016

《本相-断见》 宣纸设墨 98x180cm 2018年

Essence-IllusionXuanPaperInk98x180cm2018

左：《富春女》铸铜高260cm2013年

右：《本相》综合材料1800×300cm2016-2021年

Left:"FuchunGirl"castcopperwithaheightof260cmin2013

Right:"Essence-IllusionComprehensiveMaterials1800×300cm2016-2021

《北萨拉的牧羊女》 180×170cm 油画

1987，首届中国油画展优等奖作品

让我们看到了艺术家的成长脉络

TheShepherdessofNorthSara180×170cmoilpainting

1987,FirstChinaOilPaintingExhibitionExcellentAwardWorksLetusseethegrowthtrajectoryofartists

《鄂拉山的六月》150×170cm 油画 1986

中央美术学院收藏

JuneofMountE'ela150×170cmoilpainting1986

CentralAcademyofFineArtsCollection

《爱拥》之一 70×80cm 油画 2003

LoveEmbraceOne70×80cmoilpainting2003

《爱拥》系列23 150×210cm 油画 2006

LoveEmbraceSeries23150×210cmoilpainting2006

《寻线》系列4 145×245cm 2007

SeekerSeries4145×245cm2007

《爱拥》系列5 135×155cm 2008

LoveEmbraceSeries5135×155cm2008

《封存》系列5 60×80cm  2017 

SealingSeries560×80cm2017

《本相》300×1800cm 综合材料 2021

Essence300×1800cmcompositematerial2021

《本相》局部 300×1800cm 综合材料 2021

EssencePart300×1800cmcompositematerial2021

评论家语录

Commentatorquotes

-艺术家简介 -

-ArtistIntroduction-

刘永刚

LiuYonggang

国际著名当代艺术家

中国当代雕塑艺术研究院研究员、创作部主任

中国文化产业促进会艺术顾问

中国美术学院特聘教授

清华美术学院高研班导师

中国美术家协会会员

中国雕塑学会会员

InternationallyrenownedcontemporaryartistsResearcherandDirectoroftheCreativeDepartmentoftheChinaContemporarySculptureArtResearchInstituteArtAdvisorofChinaCulturalIndustryPromotionAssociationDistinguishedProfessorofChinaAcademyofFineArtsTutoroftheAdvancedResearchClassatTsinghuaAcademyofFineArtsMemberoftheChineseArtistsAssociationMemberoftheChineseSculptureSociety

1992年，在德国纽伦堡美术学院，刘永刚（右一）与考地茨教授（右二）及同学们。

In1992,attheNurembergAcademyofFineArtsinGermany,LiuYonggang(firstfromright)andProfessorKautz(secondfromright)alongwiththeirclassmates.

2007年，中国美术馆展览开慕式与中国美术家协会主席范迪安合影。

In2007,agroupphotowastakenwithFanDian,ChairmanoftheChinaArtistsAssociation,attheopeningceremonyoftheChinaNationalArtMuseumexhibition.

2014年，《共振计划》瑞士2014展览后留影。

In2014,aphotowastakenafterthe2014exhibitionof"ResonanceProject"inSwitzerland

2016年，刘永刚先生受德国总统邀请在德意志联邦共和国驻华大使馆参加招待会。

In2016,Mr.LiuYonggangwasinvitedbythePresidentofGermanytoattendareceptionattheEmbassyoftheFederalRepublicofGermanyinChina.

​2023年，“挺立——刘永刚雕塑绘画展”艺术研讨会举办，刘永刚先生和与会专家学者在作品前留影。

In2023,the"StandUp-LiuYonggangSculptureandPaintingExhibition"artseminarwasheld,andMr.LiuYonggangandattendingexpertsandscholarstookphotosinfrontoftheirworks.